What’s going right in the music biz right now?

“There’s an enormous amount going right in the music industry, particularly in New Zealand because there’s always been a kind of do-it-yourself ethic here. Now that people don’t buy CDs so much, the silver lining is that artists have to tour, and that plus Covid means there’s been an outburst of New Zealand acts performing. What’s fabulous is that there’s been no diminishing of audience size. Instead of people thinking, 'you’re not from overseas, I’m not coming to see you', there’s been a diversification of who’s coming out to support local shows, not just the normal kind of rock and roll groups of guys, but also large groups of women. When we reopened after the first wave of Covid, that’s when we took my album tour round the country with Shayne Carter, Chris O’Connor and James Duncan that would have been the end of 2020 and then the beginning of 2021 we went round the country with the Mutton Birds. They were fantastically well subscribed shows. My friend Reb Fountain has been touring a lot and partly because she’s extraordinary and partly because there’s no sense anymore of having to be cool enough to go and see a particular band, there’s a really broad audience. I love it when there’s a whole lot of people who don’t know each other and they look around and gradually get comfortable being strangers in a room together because that’s what performance is, sharing the same moment.”

Do you have a favourite venue or town to perform?

“I love the old theatres. The Front Lawn played The Mayair in South Dunedin. A funky old wooden theatre. One of the oldest is The Royal in Nelson and the stories you hear from those places… Like this guy who travelled the Southern Hemisphere playing piano and he’d end his show by jumping up on the piano stool and diving into the piano. Those days things just got around by word of mouth. I always think of that when I play the Theatre Royal.”

WHAT DO YOU LOVE ABOUT BEING IN NEW ZEALAND?

“Being able to discover places like this [Blackmount, on the edge of Fiordland]. I’ve toured a lot. I know what Central feels like but this is something completely different. More lush, more humid, more complex landscapes. I didn’t even know that it existed. Tim’s been talking to me and my manager for two years, and it’s not been the right time or whatever since I spend half my time in Canada with my wife. But I knew I had these two days free so I came specially for the festival.

“I like supporting people like Tim because I think that he’s got his head in the right place and his heart in the right place. He obviously values the environment, sustainability, and he values the community. And he’s putting his money where his mouth is, using all electric vehicles around the farm. When I first arrived we burned up to the top of the hilltop in one of the electric vehicles, it was excellent. I nearly bought one on the spot.”

WHAT'S YOUR
FAVOURITE CHARITY?

“I’m on the board of a thing called @MusicHelps, it’s like a central body that looks after people who use music in the community, people that take it into hospitals, hospices, prisons etc, and it also helps musicians in trouble. We’ve been able to help a lot of musicians over the last little while. When Covid-19 struck, we were able to gather money from the music industry, record companies, APRA etc and distribute it out so we gave away about 900 grand, in the course of the pandemic so far, either to individual musicians or to production companies or people who worked behind the scenes. So, that’s the charity I’m closest to – I’ve been on the board for about seven years now.”